When I was
4 years old my Mother taught me to sew, but it was my Grandmother who
taught me
to dream. She told
me to go outside the
lines, to look beyond the simple and see inside
my head what I
would want something to look like.
My
mother’s Father and brother were tailors,
everyone in
their family knew how
to sew. So, why
should I be different? As
a child I was exposed to opera on
Saturday afternoons and grew to love musical theater, classical music,
art and
history. I remember
watching an
interview on television, the woman was Edith Head.
I was fascinated by the fact that she
designed costumes for stage and theater.
Several years ago, I was compared to her in a review. I still wonder at how
joining the two loves
of music and sewing has given me my
life’s work.
The
first opera
I did was Madama Butterfly at the Hollybush
Festival. I then
went on to teach during that time
and made many contacts.
I went into Philadelphia
and worked with The
Philadelphia Area Repertory Theater,
and The
Afro American Theater Festival for several years. Electric Factory Concerts
opened the Theater
of Living Arts with a production of Lady Day with
Anne Duquesney, in Philadelphia
and later moved the show to San Francisco. I worked with the Philadelphia Music Awards
with Billy Joel,
Patti Labelle, Hall and Oats, the Stylistics and Delfonics, Teddy
Pendergrass,
Phyllis Hyman, Wolfman Jack, and
so many
more names based in Philadelphia
music. I worked in Summer Stock with the Mount Washington Valley
Theater
Company for over 10 years. I
fell in
love with those
White mountains and have
now made my home there, in Fryeburg, Maine.
Back
on the
opera scene, I spent 1994-1999 designing with the Boehme Opera. With Opera Festival of New
Jersey for I worked
10 summers, from Stitcher to Shop
Manager ;Designer for
the last 5 years. At Florida Grand Opera I worked
with leading opera
singers and directors in the opera world today. With FGO I designed Carmen
and Eugene Onegin, as well as being Costume Shop
Manager for four
years.
The Opera Company of North Carolina
was just being discovered and with them I
designed Magic Flute, Carmen, Samson and Delilah,
Salome, La
Traviata, Turandot, and more.
I was
in Colorado
for Magic flute directed and conducted by Jules
Rudel. With
Opera de Montreal I
did la Giaconda and Turandot
with Opera de Quebec. In 2006 I began working with Connecticut Grand
Opera,for
which I have designed Madama Butterfly, Lucia
de Lammermoor, Don
Pasquale and Turandot.
In 2005
after Managing the costume shop for Glimmerglass Opera, I returned to New Jersey
to design Marriage
of Figaro with New Jersey Opera Theater.
This was the first of 13 operas I have designed and
built with the now Opera
New Jersey, as resident designer:
Falstaff,
Figaro, Cosi fan Tutti, Elixir of Love, Turandot,
Romeo et Juliette,
Pirates of Penzance, Magic Flute, Rigoletto, La Traviata, La
Centerentola,
Merry Widow, and Die Fledermaus. In
the summer of 2009 I will design The Mikado, Lucia de
Lammermoor, and Abduction
from the Seraglio, and, in the winter of 2010, a planned Carmen
with
Denyce Graves. The
home base for Opera
New Jersey is the McCarter Theater in Princeton. The company to other
venues in the state,
such as The State Theater in New Brunswick, the community theater in
Morristown, and the NJ PAC in Newark.
For
the
last 2 summers I designed for Opera North in Lebanon, New
Hampshire.
Turandot was an enlarged production, adding
from the original 39 costumes 90 more.
Opening night, the Cultural Ambassador from China
was the Guest of Honor, along
with his entire entourage. After
I was
introduced to him, he thanked me for “Honoring both me, my country, and
the
people of my country, by designing and making your beautiful costumes
in the
Ming tradition.” .He
then bowed to me
three times, which I was told was a great honor. The
entire Production was awarded the “Best
of Summer” award. In
2008 I designed
both Madama Butterfly and Magic Flute with
Opera North.
During
all
these many years, I have done rentals, to other opera companies, weddings, interior
designing, and so much
more.
I
have told people many times, I love what I do, and
that is a good thing, because it is an awful lot of hard work
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Elizabeth Caballero
Photography
La Traviata
Jeff
Reeder
Opera
New Jersey 2008
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