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647 Main Street
Fryeburg, Maine 04037
207 256 8015
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Design
Rental
References
Reviews
Bio
About
Home |
|
647 Main Street Fryeburg, Maine 04037 207 256 8015 |
 Die Fledermaus – Most of the visual elegance derived from Patricia Hibbert's lovely costumes, in which Lisa Vroman's Rosalinde, Rachele Gilmore's Adele and Allison Pohl's Ida looked stunning. David Shengold -- Opera News ~~~~~~~~~~~~~~~~ Merry Widow – Patricia
A. Hibbert’s elegant, detailed costumes, all elevated the
emotional power of this simple love story to a height that opera
usually
achieves only in tragedy. I heard gasps on Hanna’s Act III entrance,
and should
have. In this piece of musical theater, at least, the moment was
real. Jim
Rutter – ~~~~~~~~~~~~~~~~ . . . and the 1950's-style costumes by Patricia Hibbert, created just the right effect. Anthony Tommasini - New York Times ~~~~~~~~~~~~~~~~ La Traviata - Opera New Jersey 'Patricia Hibbert's costumes were glorious' Peter Spencer - Trenton Times, NJ ~~~~~~~~~~~~~~~~ Eugene Onegin – Opera
Festival of ''Costumes by Patricia Hibbert are important as well, echoing in stark colors progress from optimism to bitter resignation." The Star Ledger ~~~~~~~~~~~~~~~~ "Turandot,"
With a Touch
of Royalty Bradley Bambarger - The Star-Ledger ~~~~~~~~~~~~~~~~ "Turandot"
- Opera North Production-wise, the entire artistic team deserves a huge, Well Done! ……… costume designer Patricia Hibbert, for giving us a richly outfitted show that matched the era and mood of each scene…….. all in a seamless rainbow that created the kind of mood that gave this production a polished and big stage glow without interruption. Paul Joseph Walkowski - OperaOnline.us ~~~~~~~~~~~~~~~~ "Madama
Butterfly" Opera North ...........truly
impressive and
colorful costuming by Patricia A. Hilbert. Paul Joseph Walkowski - OperaOnline.us ~~~~~~~~~~~~~~~~ 'La Traviata' The
red and black costumes at the party added to the intensity. In
contrast to the other party-goers, Violetta looked funereal in her
all-black
ball gown, despite its sequins and the drooping red rose in her hair.
Patricia
A. Hibbert was the costume designer. Elaine
Strauss - ~~~~~~~~~~~~~~~~ “La
Traviata” - Opera As a
result, with Barry Steele’s clever lighting and Patricia Hibbert’s
consistent
and stylistic costumes, this production looked as though it was taking
place in
a Faberge egg, with a rapt audience eavesdropping on every word. Nancy Plum - Town Topics ~~~~~~~~~~~~~~~~ "Merry
Widow" Opera New Jersey Patricia
Hibbert’s costumes for this performance were
bathed in pastel colors, which set off well Mme. Glawari’s burgundy and
gold
formal dress. It was clear that a great deal of thought had gone into
costuming
this production, and although the stage seemed a bit crowded at times,
the
overall visual effect was appealing. Nancy Plum - Town Topics ~~~~~~~~~~~~~~~~ "Rigoletto"
Opera Ms.
Hibbert has become one of the opera world’s busiest costumers on the
East
Coast. She maintains a huge collection of costumes in her home in Stuart
Duncan - ~~~~~~~~~~~~~~~~ "Turandot" -
Opera North Patricia
Hibbert's sumptuous costumes
were very effective. OPERA NEWS 2007 ~~~~~~~~~~~~~~~~ "Hot 'n Cole -
A
Cole Porter Celebration" - Off Broadstreet Costumes by
Patricia A. Hibbert, ranging from the most unpretentious and casual to
the most
dazzling and formal, effectively assist in the creation of certain
numbers and
key moments in the production. - Town
Topics ~~~~~~~~~~~~~~~~
"Madame
Butterfly" – Opera North The dramatic
effect was truly enhanced by the simple and elegant set by Yoshinori
Tanokura,
with dramatic lighting by David Gelhar and beautiful period costumes by
Patricia Hibbert.
This was a
beautifully
heart-wrenching "Madame Butterfly." JIM LOWE
Times Argus Staff - ~~~~~~~~~~~~~~~~ "The Merry
Widow"
- Opera Now add
the work of conductor Stephen Mosteller, who has perfect control of the
large
orchestra; choreographer Mary Pat Robertson, who either located singers
who can
dance or taught them to; costume designer Patricia Hibbert, who amassed
every
shade of pastel in the palette for ballroom gowns and then every earth
shade
for bright native costumes for the mythical kingdom of Pontenegro; and
lighting
designer Barry Steele, who manages to blend indoor and outdoor with
apparent
ease. Stuart
Duncan – ~~~~~~~~~~~~~~~~ "Die
Fledermaus" – Opera The cast
was sumptuously costumed by Patricia A. Hibbert. ~~~~~~~~~~~~~~~~ "Die
Fledermaus" – Opera Patricia
Hibbert took the
audience back more than a century and into a world of aristocratic
elegance by
her costumes. Elaine Strauss - US-1 ~~~~~~~~~~~~~~~~ Kier and
Anderson almost steal the show with their outrageous mugging and
endless
primping. They exploit Patricia A. Hibbert's outlandish costumes as the
stepsisters battle Cinderella for the prince. Robert Baxter - ConcertoNet.com - The Courier Post ~~~~~~~~~~~~~~~~ "Cenerentola" –
Opera Patricia Hibbert
provides costumes
both humble and luxurious Anita Donovan – "Merry Widow" –
Opera Patricia
Hibbert’s costumes for this
performance were bathed in pastel colors, which set off well Mme.
Glawari’s
burgundy and gold formal dress. It was clear that a great deal of
thought had
gone into costuming this production, and although the stage seemed a
bit
crowded at times, the overall visual effect was appealing. Nancy Plum - Town
Topics ~~~~~~~~~~~~~~~~ Patricia
A. Hibbert's attractive
costumes add to the visual appeal of the production. |
 Jen Alymer as Hanna Photography` Carole Haines Merry Widow Act 3 Opera New Jersey 2008
Jen
Alymer as Hanna
Photography
Carole
Haines
Leah
Wool as Cenerentola
Photography
Carole
Haines
Leah
Wool as Cenerentola
Photography
Carole
Haines
Dancers
Photography
Carole
Haines |
